Genesis - Live April 14, 1973
Case Western Reserve University
In a small gymnasium with 350 people in downtown Cleveland Ohio, on the campus of
Case Western Reserve University almost 50 years ago, was a concert lineup
including It's a Beautiful Day, Genesis, and Sylvester & The
Hot Band. On Saturday April 14, 1973, the relatively unknown-in-the-US
British band Genesis took the stage to perform material from their most
recent Foxtrot LP, as well as a few
other numbers from their previous 2 LPs. Their most critically acclaimed LP Selling England by the Pound, and most
ambitious LP The Lamb Lies Down on
Broadway...both still well on the horizon. It is at this point we pick up
the story. Ken was working at a local radio station some 30
minutes south of Cleveland. He was also trying to get his progressive band
off the ground, and wanted to interview Genesis. Did he interview them with a
pad and paper, or a tape recorder? No. Was he interested in their fame or
masks or lyrical meanings? Possibly. Foremost he wanted to know about their gear and their writing process,
so he could use the tips for his own band. |
Akron
Beacon Journal April
13, 1973 |
Calculated Luck
Ken: "It's what you might call in a
way "Calculated Luck". I could get us
into places because I had a press pass, and it was legitimate. I was there
primarily really to help promote them, but also learn. I'm a composer, "How do you go about this? What's the process?
Where do you get your inspiration? Like, which comes first? Who writes what?"
Now many years later, when I read their autobiography I think "Yeah, that's true" [laughs] "Every time they came back [to
Cleveland] we would see them, get to know them more and more, get ideas, see
what kind of equipment they had. I would ask "How did you get that polymoog sound? What are
you running through it?" Things like that. He was always very gregarious...as
gregarious as Tony gets [laughs] Great guy. Wrote many beautiful
things. We [my band] made some recordings and we gave him a tape of it,
about 4 or 5 songs. When they came back, they were playing the [Richfield] Coliseum
[in 1977] and afterwards we went to the party and I said "Did you ever listen to that tape? What did you think?" and Tony
says "I think you sounded more like Yes
than us [Genesis]" and I said "Really?!
Thank you!" but he didn't like that [laughs] But
really we're not trying to sound like anybody, we write what we like...but I took
it as a compliment" Swingos was a
hotel in Cleveland, where all the famous bands would stay. From
Elvis to Led Zeppelin. It's now a Comfort Inn, but in the 70s it is
where Genesis stayed and where Ken would meet them. "[Tony] hated the hotel as
well as Phil who in his book called it sleazy. But this was the place where all
the bands went to stay." said Ken. Peter and Ken at his studio Inspiration Ken: "Usually we would find these
people [bands] before they were famous, and then it was easier to communicate.
Rick Wright told me in the early days [of Pink Floyd] there were more people in
the band than in the audience, so they also appreciate you because we did a lot
to promote as many [bands] as we could. I really didn't need to be on stage or
anything, I was more into composing. But then I went to see ELP. I went in as
one person, and came out as a different person. I thought, "If those guys can do that, I gotta be able to do something." And only later did I
read that Tony had a similar experience after seeing The Nice with Keith
Emerson. When someone is that good, it inspires you." Genesis Live Ken: "When you were there, you
weren't anywhere else. You were like in another world. It wasn't overbearing...I
appreciated them more and more over the years, because I could see what was
behind the scenes too. " Ken's close friend and bandmate did
most of the photography. Ken took photos at first, but later realized his
friend's photographs were so much better. Unfortunately, many of the photos
were lost or damaged over the years. The Genesis Museum has scanned and
restored as many as possible. "We'd go up to Pittsburg or Detroit
or Columbus, by the time they got here [Cleveland] my friend sort of knew what
they were going to do, he knew the setlist, so he
would preplan the shots as much as you could. He took some amazing photos,
really amazing ones. But he never used any of it."
April 1973 - Foxtrot Tour Ken: "I had been waiting for a
year...year and a half, because I used to run a radio station at and
what would happen is, they would send the radio station all these albums that
weren't released yet, as promotion....I remember listening to theirs and went, "Oh, these guys will be famous!" This is
very unique, they had a different sound. So I kind of kept my eye on it. I
pushed as much as I could on the radio, but nobody knew who they were." in the
US anyway. Talking to Ken, he certainly has a
"radio voice". Ken: "I was on air. I did mostly
the news, but I also had a talk show. And then occasionally I would sub in for
a thing called Fresh Air. They had a whole library for the radio station at
that time, and anything that would come into the radio station as a promo, I'd
grab it, look it over and play it."
Filming the show Ken: "I had this camera that I had
brought because I was doing a film class. So happened to have rented this
camera...and I thought, "Oh I gotta bring this!" So I brought it...literally there were
no chairs or anything, we were sitting on the floor, in the front row...about 4
feet away. So I took a number of photos there." "It was a very interesting day because they
were very jovial, you know, good guys. So we were sitting in the front, and
then the blue lights come on. And he comes out...Watcher of the Skies. And I think "Woah!" And I love the Mellotron too...and
then I end up buying one. I didn't buy it from Robert Fripp
like Tony did, I bought it from Eric Carmen [laughs] "And then afterwards, everybody
leaves...of course, but us. And this would be a pattern that we would follow for
years and years and years, even when they were playing stadiums. The only two
people that would be there would be myself and my friend. Afterward we did an
interview, primarily with Peter, and then Phil came out and sat down with us.
We had a great conversation about things and took some photos. It was a quite
enjoyable day [laughs]." TGM: "So when you did the interview,
was it for print or did you record it for the station?" Ken: "No, I didn't have any
recording equipment with me. Primarily, we always wanted to know "Who are these guys?" It sounded
mysterious and different. And then following things in magazines at that time
you would think "What are they really
about?" "They were just brand new here [in
the US] and they were trying to build up a following. And it just so happened
at the time, Cleveland being Cleveland, it was a place where a lot of bands
broke thru and so they could come back often, and they grew a following here.
But it was difficult for them because they didn't have a hit song."
April 1974 - Selling England by the Pound Tour
"And then after the concert, we would meet up
back at the hotel. They had a big party for the band at some meeting room in
the hotel [Swingos]. We get on the elevator, there is
a lady in there who is about 6 months pregnant, which turns out to be Peter's
wife. She said "He hates these things"
[parties] "Can you get him somewhere?"
At the time we had our own recording studio not far from there, so I said "Yeah, we can!" So we drove him to our
studio, and what we had done is, it was my partner's
idea to take different parts of all their [Genesis] song titles, and interweave
it into a song. So Peter came down, and we played it for him. [laughs] and he gave us a standing ovation." "Peter was eyeing my piano and asks
"Can I play it?" So I said "Sure!" So Peter played it for about 15
to 20 minutes, and I had been recording the studio at the time. I played it
back after decades thinking, "I wonder if
there was something, anything that became a song", but alas no. He was just
doodling and happy to play." Supper's Ready "We got into a serious discussion
about Supper's Ready, which I've got recorded too. But
discussing the band at the time. I think we were 23 maybe 24. My friend
said to Peter "It was amazing that you
were able to make it!" Peter said no, they had only made a record. In
actuality, they were in debt. "We were intrigued as well by
Supper's Ready. He told us this story that he and his wife were staying the
night in a castle and it had a cemetery next to it and there was a
thunderstorm, and the idea came to him about writing this piece...he kind of
broke it [Supper's Ready] down for us piece by piece, section by section. The
inspiration was more of a feeling or metaphor and images. So you have Supper's
Ready, which is this big drama, but the way Peter explains it, because of how
he is when he's not on stage, it's not very dramatic [laughs]" "So we took a lot of photos there [in
the studio] and he signed our wall. Very good guy, but what really amazed me
more than anything else...he's one person on stage and he's another person off
stage. It's not what I expected. On stage its power and drama, but off stage
he's kinda quiet and laid back...you might even say shy
about things. You know...very quiet, very accommodating. Great guy...but not
anything like you think he would be if you saw him on stage. I've met a lot of
people that are in the top prog English bands, and I
was trying to think if there was anybody else like that, but no."
November 1974 - The Lamb Tour "I read the notes in the Genesis boxed
set, looking for ideas for my own Anthology, there was a piece written by Tony that
starts out with "One night in Cleveland",
and I thought "Are you kidding me?" I
remember that day, Peter was told by his doctor that he wasn't allowed to say a
word to anybody, wasn't allowed to talk. Because he had to
save his voice. Phil came down to our studio. He played a little on my
band's drum kit...then we played a piece for him that we had
written, it was very unusual. He said "It's very different, I like it" We were thinking, was there
anything he could do, because we wanted to start promoting our band. But then
we find out that whoever their manager was, had not kept receipts for anything,
so they owed like a half a million dollars in back taxes. But the thing about
Phil, he never seemed that concerned about money, he
never let it bother him."
The Lamb Lies Down on Broadway tour
was an amazing theatrical show, many fans wondered why there was never a
concert film. Ken said, "I couldn't believe it, I asked them, I said "Please tell me that you videotaped it."
[The Lamb show] but they said "no." I
asked them why, they said it cost like 10 grand a night just to put the show on,
which in those days was a whole lot of money" No telling if what it would have
cost to film it properly. Since they were already in debt, it was likely they
would not have had the funds. April 1976 - A Trick of the Tail Tour Ken: "They came back with A Trick
of the Tail with [Bill] Bruford, who we had met years
before when he was with [King] Crimson. I had done an interview with him in '73
when they played in Kent. On the Trick of the Tail tour, I interviewed Tony, we would be there for soundcheck" Ken met the band whenever they
returned to Cleveland. Wind and Wuthering, And Then There Were Three, and well
into the 1980s including Phil's solo tours and Mike's Mechanics tours. Ken
welcomed Genesis to Cleveland at a time when few in the US knew who they were.
And in turn, Ken felt welcomed by Genesis even when they hit it big. Ken: "They became kind of friends
and my partner [drummer/bandmate] used to call Phil on occasion and would
always get Christmas cards and such. Peter gave me his parents address...which I
still have." Phil and Ken's friend/drummer/photographer The Genesis Museum and Thomas Manchon (Ikhnaton) have been archiving Ken's materials as
well as his stories. There is an immense amount of material, some of which has
been lost, some which has been damaged by water or faded. We will be restoring
and sharing what we can as things are found. Ken has been very helpful but is
also quite busy, so we will be updating this page as more material or
information is uncovered. (c)2021 The Genesis Museum
and Thomas Manchon |