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Here are some inside pages from this program. I only included the pictures which, although B&W are quite nice. All text is in Italian which, although interesting (I think)I cannot read it.

I have put this Italian text into a translator and came out with some much broken English. All I have to say is Italian-to-English translation needs a lot of work. However, itis readable so I've included it below.

At some point I will try tofix some of the errors, but much of them are quite funny. What Italian word translates to 'Pear Tree'?


INTRODUCTION 

Little piu of 4 years ago a young person and enterprising manager took in rent an apartment to Soho, transformed it in office and with in hand the contract of a complex on the hem of the breach for the dissolvimen to of their record house, ne it formed one for they: the Charisma. The complex called The  Nice, the manager, Tony Stratton-Smith. This collaboration would have given life to one of piu the dynamic organizations of the record world of the last years. Rare Bird, Audience, Van Der Graaf Generator, Genesis, Jackson Heights, Davison Every Which Way, the Bells +Arc, Lindisfarne, Monty Python' s Flying Circus, Spread eagle, String Driven Thing, Capability Brown, Atacama, Bo Hansson... and excused if I have tralasclato someone, questisono the names that during last the four years have caratteritzato, given life and generated the unconditioned interest for this young furnace of talents.

Some names are gia, unfortunately, passings, but without before to have had the necessary one and deserved acknowledgment. Tony Stratton-Smith, that she continues to give its manageriato one to all, would not allow nobody to abandon without to have before exausted the cartridges. Other names have always become piu large  until catching up po to the time a large public like the Lindisfarne and the Genesis. First catching up the high places of all the classifiche and becoming the idoli of the crowds of festivals and the second ones conquering the admiration and the respectare of public who of critic ovunque recently has exhibited itself. 

The Lindisfarne and the Genesis, with support of the Capability the Brown, last discovered of Tony Stratton-Smith, will be between the public Italian in order to begin one new series of Charisma Festivals a evening of love, music and (hope) peace. Milan and Rome will be the two stages of this first one package and I would not have farvi to notice that Milan and be reopened to the large concerts rock after one quarantine of a yearand means. We try of farla remaining open leaving politics to outside of rooms concert. 

This and a desire of Lindisfarne, Genesis and Capability Brown, but above all creed is also Yours. 

GENESIS

The summer of the arrived Genesis and with the the ' 72 autumn of and a wonderful album, Foxtrot. that, fastly is imposing them like one of piu the warm formations in international field .

For who it has followed close give the musical developments of the English complex and like having observed a hearth constantly ignited unde rone layer of grigla, but warm live coal. Nursery Cryme has heated the atmosphere and hours Foxtrot the old hearth with high, burning and colored flames has finally moved that one shown grayish surface ravvivando.

The Genesis in little months is tax to the attention of the meticulous critic piu and to the unexpected one they are passing from triumph in triumph. The Olympia of Paris, the Coliseum of London, the Philarmonic Hall di New York is only the first stages of this dear formation.

The Genesis one of the piu ago came to the light several years to the Chartehouse School di Guilford respected Public School English, where Peter Gabriel, Tony Banks and Michael Rutherford, between a examination and the other, found a deep tie musical. The boys then aspired to become optimal composers of songs of happening, but they were not still shrewed that their musics and their backs were ahead in the time, too much ahead. When trusting in their creations they began to go around usual of the record houses cozzarono against a large wall. The record ones, legacies to thesimple musical topics of the successes of the moment, watched our future heroes with esterefatti eyes like if were I'reconnaissance of one squadron come down from a U.F.O. (Not identified Flying Object). Pear tree succeeded to arouse a sure interest in Jonathan King, a former companion of school, hours large pawn to the English Decca. With he they recorded a album, From Genesis To Reveletion, but the thing Moors them and the complex not and never rivers

Then, to the unexpected one, the small miracle arrival under shape of Tony Stratton-Smith who during that period had formed a record label, the Charisma, with two successes: Nice and Rare Bird. One tightened ofhand, a new album, Trespass, a devastating brano, The Knife and the Genesis were definitively in track.

Nursery Cryme, recorded nelI' summer-autumn of the ' 71, I too much reveal indecipherable for one critical English who was... giving the numbers for Marc Bolan, Hot Love and Co the album pear tree absolutely unnoticedno-go gage in Europe; in Germany, France and especially Belgium and Italy the Genesis came favorably received is from the critic that gives the public. Foxtrot, recorded between July and August of the ' 72, was by now destined to become one mlliare stone in the career of the complex. The last oneat the same time entered in nearly all the European classifiche and the English critic blushed in order not to essersi notice time before one of piu the wonderful products of house.

The rest and by now part of the history and when the analysts ofthe rock of the next decade will turn a retrospettivo look to years ' 70,will find very difficult to omit the Genesis from their reports.  
 

Tony Banks- organ, mellotron, slowly electrical worker and guitarto 12 ropes (par now only in the execution of The Fountaln Of Salmacis).Been born to East Hoethly (Sussex) 27 March 1950 (Ram). Married with Margaret. 

It has begun to studlare pianoforte to the eta of 7 annl, but within sufficient interest. 

Creed that cio has had to the fact that I had been forced from my mother has noticed Tony. E' an optimal pianista and also singer. Not, and never be professional, but and much good one. E' be for its musical love that me beginning to the pianoforte with a university professor when Ihad 7 years. I hated, but with passing of 11 years my Interest to always greater state. When I had 13 or 14 years I truly began to love the instrument then and, memory that mililiter I exercised in riarrangiamenti of the songs of the Beatles. And always piaciuto to make this best me that to study music. To the " Charterhouse " I met Peter and entirety we began to composeour songs; I played and it sang. We made all like an amusing pastime and was not finche knew Michael and Anthony who we began to think seriously next to our music. Cosi songs had asked to us for aiutarli recording atape of they ne were useful for metterci some for ours. That one was thefirst one of an indefinite number of tapes. 

Phil Collins several battery, percussions, voice. Been born to London(Chiswick) 30 January 1951 (Aquarius). 

He has begun to play the battery to the eta of 5 years. It was a battery in miniatura that I had in gift from, memory who has not said Phil.I have played on behalf mine until the eta of 13 dopodiche years have gone to private lessons in order to learn to read music and this I have made it years until 16. I did not think to become a musician perche until then I had worked like actor in television a film and three years in " Oliver" in the theatres of the West London End. I had the seemed ones of Dodger that previously it had been covered from Davy Jones of the Monkees and Steve Marriott. My mother and a teatrale agent and and for whom I came introduced in the career. When I am decided to leave to lose mine did not speak me for a pair about weeks; they were convinced that same making one stupid what jackets I left to lose just In a moment that I had many offering. But to the end he gained the battery, mine became account that I was happyin what I made and for a pair of years I passed from a complex to the other between Which Flaming Youth. We obtained optimal
pubblicita, but little cosi satisfactions I answered to one Insertion for a drummer for a complex of the Charlsma. I knew Tony Stratton-Smith and thinking he was for someone like Jackson Height (the Nice as soon as had melted themselves) I went to find Tony to the bar of the Marquee. I believed to obtain the place without audizionare jackets I knew Tony, buthe said me to telephone Peter Gabrlel. Audizionai  and I obtained the place; this was two years ago. 

Steve Hackett- guitar electrical worker, 12 and 6 ropes acoustic-electrical worker. Been born to London (West End) 12 February 1950 (Aquarius). Married with Ellen. 

Steve has replaced two years ago Anthony Phillips, chitarrista originalI' of the Genesis. Its father to painter and the its first infancy andbe guided from every shape of art. Musically Steve succeeded to astoundall ' eta of 4 years. 

I played the harmonica and every qualvolta someone to houses arrived had to demonstrate mine... qualita says Steve sorridendo. The harmonica and I have been inseparable finche to the eta of 14 years I have begun to play the guitar. I have learned alone and alone I have continued to play making the solista with the harmonica and the accompanyment with the guitar. Po' to the time guitar is deepened me in the study delia and has passed approximately two years to the search of musicians in order to forma complex. I have spold a capital in insertions on the Melody Maker; there was always a some thirty of musicians who answered, was tried and immancabilmente I had lasclar to lose. Towards the end I began to being much cynical oneon the scenes musical of the moment and put an insertion that reflected such feeling. I wanted of the musicians that they were of agreement with me that the muslca it was In a tinning period and with desire to come outside with something of new. Peter Gabriel answered; not, not conoscovo the Genesis,ne I had not badly felt to speak. Not audizionai with they, but I invited them to house. My brother played the flauto and entirety we had mesao on something. They came to sentirmi and they asked to me endured for unirmithe complex: it was the exact formation that I had tried end from my first insertion 

Mike Rutherford: low, low to pedals, 12 ropes, voice. Been born to Guilford (Surrey) 2 October 1950 (Balance). 

I have begun to play the guitar to the eta of 9 years tells Michael.I have not never followed a particular system, quiodi are a true self-taught. Late E' be a lot piu pear tree that to me is found coinvoito in music, when they have gone to the Charterhouse School. With Anthony Phillips, than and be our first chitarrista, we played to the beginning songs of other people, but teen soon, we began to compose ours. We made friendship with other boys who played the pianoforte and as we they composed cosiyou will join the two things. The two called Tony Banks and Peter Gabrlel and for me that one was the official beginning of the Genesis, therefore5 years ago. The basao to pedals? Me it has constructed to a friend taking the pedal-key of an organ Hammond and adattandoia to an amplifier. This allows me to play the bottom also when they are engaged with the chltarrato 12 ropes 

Peter Gabriel- song, flauto, tarrburino and case-battery. Been bornto Chobban (Surrey) 13 February 1950 (Acquarlo). Married with Jill. 

Muslcalmente I have begun studying the pianoforte from the 5 and7 years, but I left to lose perche did not appeal to the profeasore has told Peter to me. As singer I began with the chorus of the school. When I went to the " Charterhouse " I began to auonare the battery and during the vacations I have played before with a complex of traditional Jazz, then with a complex " soul ". I saw in classifies these canzoncine that sold a cosi disc bag began to compose with the intention of giving my songs to some "Big ". Found before the aid of Tony, then that one of Michaeland Anthony, but our great ideas were only realized with a brano recorded from the brother of Rita Pavone, creed Paul. Only the our brano recorded in the world from other people.
 

How they began the Genesis?

Anthony and Michael decided to make a tape to send in turn and hadcosi need of a pianista-organista after to have accepted the aid of Tonywe decided to put within also our songs. We learned them and they them ours. We raised a null interest and Johnathan King who had been in ourschool monster a friendly interest and made us to record " From GenesisTo Reveletlon ". We went in study much nervous perche we had not never played with in public and we did not know what would not be jumped outside. This happened 5 years ago and was still to school; the album did not makenull for we, but it convinced to leave to us to lose the universita oneand to continue like musicians. We played ovunque us capitasse, but notnever... we are prostituiti to play nient' other but our music. Hungerne we have made, but strangely what was the minim that we thought.

Qual' and your opinion on that first album..

Me piacciono the agreements and you will not succeed to transmit the ideas that we had in mind. Without experience not we are rendered account that all our ideas were remained in our mind and badly they have not goneon tape. There and a brano, " The Place To Call My Own ", that it couldbe truly good and when risento the hours give much nostalgia to me.

How you have arrived to the Charisma?

Through evenings perche our tapes had been refused from all the English record houses esistentl. First the our public was to the " Queen Mary's College " where we made a " set " acoustic and will succeed for before the time to communicate completely with the public. Dave Rare Anthony and the Bird saw to us and ne they spoke to Stratton-Smith and we acceptedto go with the Charisma perche in that period we were all fascinated of the Nice. Also Mike Plnder of the Moody Blues had shown interest in wefor the Threshold label, but we wanted to avoid a ollowing comparison with the Moody Blues..